I’m writing to you today to tell you about a group I’m forming. I’m hoping it’s something you, or someone you know, might be interested in: an ensemble of electric guitars, couched somewhere between:
Rhys Chatham’s A Secret Rose:
Glenn Branca’s Symphony 1:
Robert Fripp’s League / Orchestra of Crafty Guitarists:
and most of all Fred Frith’s Guitar Quartet:
If you’re someone who’s wanted to do some deep listening with other guitarists, if you’ve wanted to delve into the range of this instrument in a group setting, if you’ve wanted to play a different role in a group than you have before – this is your group.
I’ve been writing pieces for this ensemble over the last ten years, knowing I’d get it together when the time felt right. The first set of pieces we’ll dig into is a set of fairly minimal works I call Mandalas. They all start at a center, expand out to the edges, and retract back to a center. 4 movements of the larger work are demoed here:
You’ll notice some Ebow (http://www.ebow.com) work as well as some work (4th movement above) with a similar device created by Portland inventor Paul Vo, the Wond (http://www.paulvo.com/). I’ll be supplying Ebows to those who do not have them, and will work with each of you on technique if need be. I’m working on Mr. Vo to see if we can’t secure some of his experimental devices as well.
I have one performance scheduled either May 25 and 26 at Good Shepherd Chapel in Seattle, and will be scheduling others once I know the size of my group and availability. I’m looking for at least 7 of you, and hoping for twice that.
Leading into May, I’m looking to rehearse twice a month, beginning the week of Feb 2/21. If you are interested, please respond – I look forward to hearing from you. I have a small space in Fremont which should accommodate us, but have access to bigger rehearsal space if need be.
All parts will include tablature, so the majority of the reading will be around rhythm, dynamics and technical notes. Some of the pieces are challenging and we’ll want to be tight and practice on our own outside of rehearsals, but you won’t need to read any crazy busy passages without tab to help.
Thanks for reading!
If you are interested, let me know by emailing me at email@example.com
If you know any interested guitarists – please pass the message on!